I Love My Librarian Award: What Makes a Strong Nomination?

It’s finally September, which means summer is waning and fall is approaching. It also means only a few weeks remain to submit your nomination for the 2024 I Love My Librarian Award! While ten librarians will be awarded, more than 1,000 nominations are received for the award every year, so submitting a strong nomination is key to making your librarian stand out among the crowd.

“I will always be on the side of the libraries”: A Conversation with Neil Gaiman

Neil Gaiman wears many hats: novelist, journalist, comic book writer, screenwriter, television producer, musician. And he’s a fierce supporter of libraries. The author of American Gods, Neverwhere, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, The Sandman, Coraline, and so many more has had a lifelong love affair with reading. (He’s even featured in a brand-new Celebrity READ poster from ALA Graphics!) And he credits librarians for fostering his curiosity about books and learning at a young age.

Gaiman spoke with I Love Libraries recently about libraries, his literary influences, book banning in the U.S., movies, and more.

Washington Library Worker to Appear on Jeopardy!

It’s no surprise that librarians and library workers rule on Jeopardy! With their research skills and proximity to information daily, it’s hard to think of better contestants. And one more is set to test their skills and knowledge on the popular game show.

Nominate Your Favorite Librarian for the I Love My Librarian Award

Has a librarian made a difference in your life or gone above and beyond to serve your community? Then show them some love by nominating them for the 2024 I Love My Librarian Award!

The I Love My Librarian Award invites library lovers like you to recognize the accomplishments of exceptional public, school, college, community college, or university librarians. Each year, up to 10 librarians are honored at a ceremony held in their honor and receive a $5,000 cash award.

Adaptation and Innovation in a Time of Censorship: The State of America’s Libraries 2023

Today, the American Library Association (ALA) kicked off National Library Week with the release of the State of America’s Libraries Report, which tells the story of how libraries are innovating and adapting to improve the well-being of their communities in the midst of censorship challenges. It also includes the highly anticipated list of the most challenged books of 2022.

Expanding on the theme of National Library Week 2023-“There’s More to the Story”-the report chronicles how libraries of all types provided access to broadband and phones to patrons in need; offered unique science instruction using digital beehives; helped communities experiencing food insecurity; aided in small business efforts; brought libraries services to incarcerated individuals; and so much more.

The report’s findings on the rising tide of book censorship in the U.S. are alarming. Libraries in every state faced unprecedented attempts to ban books. In 2022, ALA tracked the highest number of censorship reports since the Association began compiling data about library censorship more than 20 years ago. ALA’s Office for Intellectual Freedom tracked 2,571 unique titles targeted for censorship, a 38% increase from the 1,858 unique titles targeted in 2021. Most of the targeted books were written by or about members of the LGBTQIA+ community and people of color.

Book bans on the rise

The report’s most challenged book list reflects 2022’s increase in censorship. Multiple books received the same number of challenges, resulting in the expansion of the list from its usual 10 titles to 13. The most challenged books of 2022-and the reasons behind their challenges-are:

  1. Gender Queer by Maia Kobabe
    Reasons: LGBTQIA+ content, claimed to be sexually explicit
  2. All Boys Aren’t Blue by George M. Johnson
    Reasons: LGBTQIA+ content, claimed to be sexually explicit
  3. The Bluest Eye by Toni Morrison
    Reasons: depiction of sexual abuse, claimed to be sexually explicit, EDI content
  4. Flamer by Mike Curato
    Reasons: LGBTQIA+ content, claimed to be sexually explicit
  5. (TIE) Looking for Alaska by John Green
    Reasons: Claimed to be sexually explicit, LGBTQIA+ content
  6. (TIE) The Perks of Being a Wallflower by Stephen Chbosky
    Reasons: Claimed to be sexually explicit, LGBTQIA+ content, depiction of sexual abuse, drugs, profanity
  7. Lawn Boy by Jonathan Evison
    Reasons: LGBTQIA+ content, claimed to be sexually explicit
  8. The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
    Reasons: Claimed to be sexually explicit, profanity
  9. Out of Darkness by Ashley Hope Perez
    Reasons: Claimed to be sexually explicit
  10. (TIE) A Court of Mist and Fury by Sarah J. Maas
    Reasons: Claimed to be sexually explicit
  11. (TIE) Crank by Ellen Hopkins
    Reasons: Claimed to be sexually explicit, drugs
  12. (TIE) Me and Earl and the Dying Girl by Jesse Andrews
    Reasons: Claimed to be sexually explicit, profanity
  13. (TIE) This Book is Gay by Juno Dawson
    Reasons: LGBTQIA+ content, sex education, claimed to be sexually explicit

“By releasing the list of Top 10 Most Challenged Books each year, ALA recognizes all of the brave authors whose work challenges readers with stories that disrupt the status quo and offer fresh perspectives on tough issues,” said ALA President Lessa Kanani’opua Pelayo-Lozada. “The list also illustrates how frequently stories by or about LGBTQ+ persons, people of color, and lived experiences are being targeted by censors. Closing our eyes to the reality portrayed in these stories will not make life’s challenges disappear. Books give us courage and help us understand each other.

Join the fight

It’s time to take action on behalf of authors, library staff, and the communities they serve. ALA calls on readers everywhere to show your commitment to the freedom to read by doing something to protect it.”

In response to the uptick in book challenges and other efforts to suppress access to information, ALA has designated every Monday of National Library Week moving forward as Right to Read Day, a day of action that encourages communities to fight back against censorship and to protect and celebrate the right to read freely. This year’s National Library Week also marks the one-year anniversary of the launch of Unite Against Book Bans, a nationwide initiative that empowers readers everywhere to stand together in the fight against censorship. More information is available at uniteagainstbookbans.org.

ALA Executive Director to Receive Beacon Award from Illinois Humanities

American Library Association Executive Director Tracie D. Hall’s list of accolades grows with the announcement this week that she will receive the Beacon Award from Illinois Humanities.

Founded in 1974, the nonprofit Illinois Humanities is an affiliate of the National Endowment for the Humanities that activates the humanities through free public programs, grants, and educational opportunities. It provides free humanities experiences throughout Illinois, particularly for communities of color, individuals living on low incomes, counties and towns in rural areas, small arts and cultural organizations, and communities highly impacted by mass incarceration.

Illinois Humanities presents the Beacon Award annually to an individual or organization who has been a champion for-or investor in-the humanities in Illinois, elevating the work of humanists in ways that have improved the quality of the state for its residents.

“Advocating for access and inclusion-through libraries, through the arts, through economic and community development-is not something I took on, it was something I was born into,” Hall said, upon learning about receiving the award. “Equity and fairness were central values in my family. Coming to Chicago 20 years ago gave me the opportunity to work alongside people across the state who understand that the arts and humanities are strengthened to the degree that they are accessible and reflective of all our histories and experiences. It is both humbling and energizing to be honored by the community of thinkers, makers, and doers that I so deeply respect and whose work has guided and anchored mine.”

Illinois Humanities will present the Beacon Award to Hall on May 17 at the Public Humanities Awards Ceremony in Chicago. In addition to Hall, three others who exemplify the humanities in action across the state will receive Public Humanities Awards at the event: Chicago radio producer, journalist, and activist Stephanie Manriquez, executive director of Contratiempo and executive producer of Lumpen Radio; Rebecca Ginsburg, director of the Education Justice Project, associate professor of education policy, organization, and leadership at University of Illinois at Urbana Champagne, and co-founder of the Illinois Coalition for Higher Ed in Prison; and librarian, historian, and archivist, Alyson Thompson, library director of Marshall (Ill.) Public Library.

Illinois Humanities said all of the 2023 honorees “highlight the role of libraries and access to stories in this national moment where the question of who has access to stories and whose stories get to be told is front and center.”

“I can’t think of a more timely and impactful group of honorees to acknowledge this year,” said Gabrielle Lyon, executive director of Illinois Humanities. “At a time when books are being banned, histories are being censored, and people who are incarcerated are kept from reading, these awardees have worked to create and protect the ‘windows and mirrors’ we all need to be part of a just society.”

Notes from the Field: Library Work in an Environment of Book Banning

This is a tough time to be a librarian. Materials and programs are being challenged, and core library values of inclusivity and freedom of information are at stake. I spoke to two librarians on the front line of the struggle to find out what it’s really like and how they are holding up. They asked to remain anonymous to protect their jobs, but they are both degreed librarians who work extensively with the public, including young people, at a medium-sized library in the Midwest. “V” is a librarian and “F” is their supervisor.

Thank you for agreeing to talk to me. I know this is a wild time to be working with the public. Let’s start with a little background. How has the past year or so been different for you in terms of materials challenges?

V: Historically, I have observed maybe one or two challenges per year. This past year the number of challenges has significantly increased, and the original challengers have not been satisfied with the verdicts, so they then appeal the challenges and become publicly adversarial. There’s also an added organized political element (the misleadingly named Moms for Liberty, Moms for Libraries) getting involved, which definitely doesn’t help in conducting civil and rational discourse with the challengers and agitated community members.

F: I’ve worked in various library systems both small, very large, and medium; typically, even in the very large system, there would be maybe one challenge a year. Most of these challenges (which were again very few) were LBGT-focused and were “hot button” controversial titles that appeared on social media. For this library’s size, we have gotten more than 10 times the normal number of challenges. Many of the challenges are alleging that the library is full of pornography and its librarians are selecting that pornography to endanger minors.

What was the procedure for book challenges before? Are folks following that procedure?

F: Procedures for challenging books were consistent. Patrons who wanted to challenge a book received a form that they would then fill out explaining why they believed the material should be removed from the specific section and/or library. That form would then go to a staff committee who would take a deeper dive into that challenge. Most patrons who are adamant about the challenge will follow the process, as that’s the only way it can possibly be changed. Sometimes this process deters folks from formally challenging and they are satisfied with just being heard by staff members.

If you are selectors, has this new environment of challenges/selection policy changed how you select books, especially for young people?

V: I am not a selector, but every time I encounter a book, a display, a potential program opportunity at my library, a part of me is starting to look at it through a lens of “What problem will this cause for us? Will I get myself/my supervisor/my department/my admin in trouble?” I fear I’m beginning to preemptively censor things for self-preservation and institutional survival.

F: I too am not a selector but work very close with the selectors. I would say that this has caused delays in materials being selected, especially in our teen collection, because we are under such high scrutiny that we cannot afford to make a “mistake”-which I put in quotations because it’s not that we make a mistake on the professional level in selecting materials for all, but in the eyes of the very conservative board majority and public minority. Unfortunately, it feels like we must make our choices based on that public minority rather than the whole community, just so that we stay out of trouble with the board.

Are you getting challenges to programs as well, or just materials?

F: Programs that are being challenged are in regards to book clubs.

V: We are having to be more cautious about potential programs, too. We’ve had a few youth programs about health and bodies that our admin, in an abundance of caution that I absolutely understand, have nixxed. I’m not sure I am using the term correctly, but it’s beginning to feel as though all of these challenges and the ignorance/hostility of the board is starting to have a “chilling effect” on our future program plans.

What kind of support do you get from your administration or library board?

F: I will say that the majority of the library board does not “support” us in the way that would typically happen from a board. Part of this is in their demeanor. When community members are representing the board’s views, they pay attention; when community members don’t, they will scoff and/or not pay attention. Sometimes lack of support from the board does take the form of the materials being relocated against the judgment of library professionals, professional reviewers, etc. On the flipside, there are board members who are very much in support of us as library professionals who know how to do their jobs. Most of our board members are new members within the last year. I would also point out, while there have been these challenges towards materials, the majority of people who attend the board meetings are in support of the library.

V: Perhaps mine has been an unusual experience, but the boards at the past libraries I’ve worked at have been extraordinarily supportive of the library directors and the ways in which they run things-the boards have been very trusting and respectful. People in the communities challenged things at those libraries, but the boards really supported the directors’ decisions. This current environment, however, seems to be up-ending things. Of course we expect challenges and concerns from the community; that’s no surprise. What is surprising is that now, not only is the majority of the Board not supporting the library staff in their decisions, they seem to be creating challenges themselves. Censorship and book banning? Although it’s definitely on the rise, ultimately nothing new there. Hostile and disconnected library boards joining in on the nonsense? That’s a new one, at least for me.

How has this new environment of challenges/selection policy affected your day-to-day work life?

V: On a practical level, the added work and problems that have arisen from all of the challenges have really impacted our ability to pursue many of the projects that we want to take on to serve the community. It’s pretty discouraging to realize how much taxpayer money is being wasted as a result of these attempts at censorship. On a mental and emotional level, I’m discouraged and afraid; I’m beginning to hear rumors of library workers being doxxed, to say nothing of character assassination and the threats to our careers and livelihoods. You can imagine the impact this has on our mental and emotional health.

F: I absolutely agree with everything that D said. Large library-wide initiatives have had to move to the back burner to make capacity for changes with the selection policy as well as challenges. Each book that is challenged has to be read in its entirety by a committee of staff members, thorough research done surrounding age-appropriateness, etc., which pulls staff from other projects. The library is a place for all and because of the vocal minority, initiatives and projects that would bring resources and support to other community members gets pushed back. For me, mentally, I feel like I am constantly having to be on guard and feeling like Big Brother is watching over me. It’s taxing, has forced me to attend more therapy sessions, has taken me away from normal interactions with staff just so I can do the other new projects that have come up because of this.

F, as a supervisor, how do you help your employees feel empowered to do their work in the face of such challenges?

F: I let my employees know that my door is open any time that they need to talk or work through new board created/modified policies. I try my best to detail and operationalize the policies that the board creates in a way that can be accomplished by staff. It’s important to be as open and honest as one can be, especially in the wake of challenges both by patrons and board members, when it goes against everything you’ve been taught about best practices in librarianship. At the end of the day, we are doing what we can to best serve the community and remain a place for all.

Susan Maguire is senior editor, collection management and library outreach, at Booklist.

*First published February 13, 2023 (Booklist Online). Photo by Element5 Digital.